Poetry Club Talks…Wallace Stevens poem The Snow Man

https://www.podbean.com/media/share/pb-4xdsx-ff15e9

Topic: Wallace Stevens
Host: Lynn
Poems: “The Snow Man”
Recorded: March 27, 2021

The Snow Man Graph and Poem

This week at Poetry Club we ask what Is poetry analysis? Poetry analysis is examining the independent elements of a poem to understand the literary work in its entirety.  Poetry Club member Lynn will host the discussion on the poem “The Snow Man” by Wallace Stevens  (1879 – 1955) and we analyze the heck out of it.

Lynn sends us these notes:
“I’d like our discussion and reflections on this poem to move in the direction of exploring the mind watching our sensations and emotions while reading the poem…that does not hope to ‘solve’ the meaning of the poem… but expands the experience of the poem.”

Wallace-Stevens

BIO
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.  credit: https://en.wikipedia.org/wiki/Wallace_Stevens

This program was produced by Chickadee Productions

Poetry Club Talks…Lawrence Ferlinghetti Part 1

https://www.podbean.com/media/share/pb-vswwh-fce29c

Topic: Lawrence Ferlinghetti
Host: Ron
Poems: “I Am Waiting”, “The Changing Light”, “Natural History”
Recorded: March 6, 2021

Ferlinghetti Poems Discussed

This week Poetry Club Talks about the late Lawrence Ferlinghetti.  We take a look at a few of his signature poems, discuss tone and form.  Ron is the host.  He shares these thoughts, “The attachments provide 8 poems by Lawrence Ferlinghetti, including his best known and most admired, “constantly risking absurdity,” which I think are representative of his work and will offer a good basis for our discussion.”

BIO

“Lawrence Monsanto Ferlinghetti (March 24, 1919 – February 22, 2021) was an American poet, painter, social activist, and the co-founder of City Lights Booksellers & Publishers.[2] He was the author of poetry, translations, fiction, theatre, art criticism, and film narration. Ferlinghetti was best known for his first collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages, with sales of more than one million copies.[3] When Ferlinghetti turned 100 in March 2019, the city of San Francisco proclaimed his birthday, March 24, “Lawrence Ferlinghetti Day”.[4]”  -Wikipedia

Please visit Ferlinghetti’s website to read his full BIO and learn more about this important poet.

http://www.citylights.com/ferlinghetti/

Poetry Club Talks…Margaret Atwood Part 2

https://www.podbean.com/media/share/pb-h2cn3-faa240

Topic: Margaret Atwood’s “Dearly”
Host: Ron
Poems: “Passport” and poems 1, 3, 7 of “Plasticene Suite”
Recorded: February 13, 2021

“Passport” and “PLASTICENE SUITE”

Poetry Club explores two more poems in the newly released collection “Dearly” by Margaret Atwood.  The poems spur many questions.  Do we keep items like full passports to preserve information, or do they help define our identity?  Can humankind end our dependence on plastic and return to the life described by Atwood “..with only paper and glass and tin with hemp and leather and oilskin?”

Ron is the host and shares this message: “Hello, poetry club types.  The attachment provides a dozen poems from Margaret Atwood’s recently published book, “Dearly.”  I have highlighted in bold half a dozen that might provide a focus for our discussion this coming Saturday.  It will be fine with me if we devote some time to all of them.”

“Margaret Eleanor Atwood, CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children’s books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General’s Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards.[2] A number of her works have been adapted for film and television.” -Wikipedia

Please visit her site to purchase “Dearly” http://margaretatwood.ca/
All poems are copyright and owned by Margaret Atwood
sited: Atwood, Margaret. Dearly. McClelland & Stewart, 2020.

Poetry Club Talks…Composition Styles Part 3

https://www.podbean.com/media/share/pb-pdth8-f5ebb1

Topic: Composition Methods
Host: Ron Leatherbarrow
Poems: “Housekeeper”, “River Ink”, “Her Hands”
Recorded: December 19, 2020

In our final episode exploring personal styles of poetry composition, Shannon shares three poems written at different times, 2010, 2012, 2016, when her style shifted.  Her background in broadcasting plays an unexpected role, not only in her composition but also in the presentation.

Housekeeper, River Ink, & Her Hands

Photo by Amador Loureiro on Unsplash

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Poetry Club Talks…Louise Gluck Pt2

https://www.podbean.com/media/share/pb-zqewv-f3d3c1

Topic: Louise Gluck
Host: Linda and Amory
Poems: “Parable of the Hostages”
Recorded: November 28, 2020

Our first two-parter!
When Louise Gluck won the Nobel Prize for Literature in 2020, the NYT recognized that many were unfamiliar with her work. One of their writers posted five poems, from five different collections, to introduce her. 
In Part 2 Poetry Club discusses Gluck’s poem “Parable of the Hostages”

Poetry Club Talks…Methods and Strategies for Composing

https://www.podbean.com/media/share/pb-bgsrw-f2de88

Topic: Methods and Strategies for Composing

Hosted: Ron

Poem: “Altered Landscape” by Ron

Recorded November 14, 2020

Ron puts his money where his mouth is by submitting his own poem (below) for this week’s discussion on strategies for composing.

On a yet uneventful fall morning 
we tuned in, all channels, to news breaking.
We saw the monolithic twins tower
beyond the New York City skyline, higher arching   

emblems of America’s enormous
wealth, unassailable power,
and leadership in world affairs;
and life-source of our nation’s busy-ness    

The planes appeared, at first, 
at the bottom of the screen, 
by their diminutive presence,  
simply to augment the scene,
then, turning toward the center,
disclosed their sinister intent: 
to shatter our national serene    
and apprise us of the error   
of our culture and content,  
by a sacrifice obscene,             
and realize the awful threat of terror.       

then collapse in a cascade more sudden
than our startled eyes and minds could follow    
into a burgeoning mountain of rubble, 
the billowing dust veiling the vast hollow,    

and watched the constant replay, mesmerized,
unable to withdraw our captive sight
or avoid awareness of the massive scale of life
entombed within that monumental blight,    

on the altered landscape of our lives
condemned always to carry the remnants:    
seared mercilessly in each mind’s eye,
the indelible images and events.